The Weeknd

The Weeknd, the stage name for Abel Tesfaye, is a Canadian singer-songwriter and producer.The Scarborough, Toronto-born singer, songwriter, and producer doesn't say much outside of his lyrics or personal messages through his social networking sites. Ever since appearing on the scene in late 2010, he's been shrouded in mystery, cultivating a mystique that baffles our gossip-obsessed pop culture. With that said, the 26-year-old alternative R&B phenomenon is an enigma in more ways than one.For him, it's not about becoming famous. It's not about becoming rich. It's not about pleasing anyone. It's about being honest, staying true to his art, and diving headfirst into the deep end. History's most impactful artists from Van Gogh and Charles Bukowski to Miles Davis and John Lennon faced both the abyss and the heavens. They knew about sex, drugs, pain, joy, and love, and they weren't afraid to talk about them openly.On his three-disc debut for XO/Republic Records, Trilogy, The Weeknd is an open book, revealingeverything and nothing at the same time. There are moments of ecstatic electronic bliss like the irresistible 'High for This', and then there's the propulsive poetic paranoia of 'House of Balloons', which twists a sample Siouxsie and the Banshees' Happy House into a frenetic danceable coup. With an inimitable and divine voice, he sings of hazy nights that turned into hazier mornings and tumultuous trysts that spiraled into eternal longing. However, you can take whatever you want from it. After all, it is art.His trip officially began with the release of the nine-song free album House of Balloons in March 2011. It was the first in a series of three-including Thursday and Echoes of Silence-and it immediately set the blog-o-sphere ablaze. Soon after the initial instalment impacted the net, Drake quoted lyrics from the effort on Twitter and linked to the music, becoming the first of many A-list artists to champion it. The two quickly forged a tight friendship and fertile artistic partnership that extended to Drake's team.As they grew closer, the superstar MC even enlisted his talents for several tracks on the chart-topping, platinum-selling and Grammy Award winning album Take Care. Most notably, The Weeknd co-wrote, co-produced, and performed on 'Crew Love', a bona fide hit single from the record. Further collaborating, Drake dropped a transfixing verse on 'The Zone' from Thursday.The artist hit the road for his first sold out headline tour that summer, and the world began to embrace him with open arms from underground bloggers to taste-making music supervisors. 'High for This' even served as the soundtrack to the trailer for the final season of HBO's long-running series, Entourage, a symbol of his infiltration into the zeitgeist.Meanwhile, critics and gatekeepers also fell under his spell. Complex dubbed House of Balloons the 'best album of 2011', and Pitchfork honored it as 'Best New Music'. It conquered year-end lists, including Stereogum, The A.V. Club, The Guardian (UK), and Spin. MTV, BET, Rolling Stone, XXL, and others exalted it with equally high praise, while The Source called him the 'Songbird of his generation'.In the midst of everything, other marquee artists began to personally seek out his unique talent, and that was the highest compliment. He created the first formal remix for FLORENCE + THE MACHINE's 'Shake It Out', and he put his stamp on LADY GAGA's 'Marry the Night', yielding a seductive and sensual take on the single for Born This Way: The Remixes. The Weeknd also personally cooked up 'Remember You' the second single for WIZ KHALIFA's anxiously awaited sophomore effort, O.N.I.F.C.In the summer of 2012, a groundbreaking strategic alliance between XO, creative collective visionary behind The Weeknd and Republic Records was established. Under this banner, Trilogy compiled House of Balloons, Thursday, and Echoes of Silence in one expansive collection, properly mixed, mastered, andfinished for the very first time. The 27 original tracks remain, but there's also a myriad of new material as well to please both the initiated and uninitiated alike. The doorway officially opens into his world with this effort.The first single 'Wicked Games' bleeds brilliantly with a stark and vivid admission that's utterly enthralling. Keyboards resound through airy production as the vocals exude a dark sensuality. The singer admits, 'I love to watch you dance, take you down another level and get you dancing with the devil', before the unforgettable, unbridled hook, 'Let me motherfucking love you'.You're going to motherfucking love him. Live audiences continue to as well. In addition to surprise appearances on DRAKE's Club Paradise tour and a stint supporting FLORENCE + THE MACHINE, he dazzled crowds at the biggest festivals in the world including Coachella, Primavera Sound Festival, and the Wireless Festival in London and on a seemingly endless run of sold out headline gigs. The next chapter has begun though.Coming together, Republic Records and the Canadian XO are paving the way for a revolution. Already, XO has progressed from an intimate Toronto operation into an international player. Everything stems from the music though, and it always will. THE WEEKND addressed fans in an open letter online, 'You will continue to get what you fell in love with, and I will continue to give you what you ask for. No matter what an artist's ego clouds them to believe, you are the reason why I have been able to continue to do what I love to do and that is to entertain you.' He released his second album, 'Kiss Land', on September 10, 2013.(2) Allegedly 'shrouded in mystery' despite a social media presence (with accompanying photos) on Twitter, Tumblr, Facebook, Soundcloud, and YouTube, as well as major support from fellow Torontonian Drake, alternative R&B act the Weeknd -- a solo outlet for vocalist Abel Tesfaye -- surfaced in March 2011 with House of Balloons. A nine-track, 50-minute mixtape made available for free download on the Weeknd website, House of Balloons was based in morose ballads filled with drug references and sexual longing. Sonically, there were clear traces of radio-friendly contemporary R&B Ã la Trey Songz, Jeremih, the-Dream, and Drake, while also appealing to listeners who favored left-of-center, production-over-songcraft exponents like Spacek and Sa-Ra. The mixtape, made by Tesfaye in collaboration with producers Doc McKinney and Illangelo, among others, garnered widespread coverage -- most of which was gushingly positive -- within days of its March 21 release. A second mixtape, Thursday (August 19), preceded several appearances on Drake's album Take Care. Echoes of Silence (December 21), the third Weeknd mixtape, followed just before the end of the year. The following June, 'Crew Love,' off Take Care, reached the Top Ten of Billboard's Hot R&B/Hip-Hop chart. A few months later, he was featured on another charting single, Wiz Khalifa's 'Remember You.' After Tesfaye signed with Universal Republic, the three Weeknd mixtapes were remastered and bundled with three new songs for Trilogy, issued in November 2012. The set debuted at number four on the Billboard 200 chart. The following April, Tesfaye won Juno Awards in the categories of Breakthrough Artist of the Year and R&B/Soul Recording of the Year. Trilogy was certified platinum by the RIAA the next month. Kiss Land, much darker in tone than its title implied, followed in September 2013 and debuted at number two. Out of its several singles, only 'Live For,' featuring Drake, touched the Hot R&B/Hip-Hop chart. Tesfaye had much more success with a series of non-album singles that followed. 'Often,' released in 2014, was a Top Ten R&B/Hip-Hop hit. He was featured on Ariana Grande's 'Love Me Harder,' which reached the Top Ten of the Hot 100 and went platinum in the U.S. 'Earned It,' featured in Fifty Shades of Grey, repeated the same feats. In 2015, Tesfaye issued 'The Hills,' a booming ballad, and 'Can't Feel My Face,' a disco-funk throwback, as the first two singles from Chapter III. The former cracked the Hot 100 Top 20, while the latter reached the chart's Top 10. ~ Andy Kellman <a href='https://www.last.fm/music/The+Weeknd'>Read more on Last.fm</a>. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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Trilogy is a compilation album by Canadian singer The Weeknd. It was released on 13 November 2012 by Republic Records and XO. It is composed of re-mixed and remastered versions of his 2011 mixtapes House of Balloons, Thursday, and Echoes of Silence, and three previously-unreleased songs.

Trilogy received generally positive reviews from critics, who reinforced the previous acclaim of the mixtapes, although some found it indulgent. It was promoted with three singles and The Weeknd's concert tour during September to November 2012. The album charted at number five and number four in Canada and the United States, respectively.

• 7Charts

Background[edit]

During 2011, The Weeknd released a series of mixtapes—House of Balloons, Thursday and Echoes of Silence—^[2] and garnered both critical acclaim and a growing fan base.^[3] The mixtapes were principally recorded with producers Doc McKinney and Illangelo,^[4] at Dream House and Site Sound Studios in Toronto; additional sessions took place at Sterling Road Studios.^[5] The Weeknd released the mixtapes online as free digital downloads.^[2]

In September 2012, The Weeknd signed with Republic Records in a joint venture with his own imprint label XO.^[6] The mixtapes were subsequently remastered and compiled for Trilogy, along with three previously unreleased songs,^[3] which were recorded at Liberty Studios in Toronto.^[5] 'Twenty Eight', 'Valerie', and 'Til Dawn (Here Comes the Sun)' were included as bonus tracks at the end of each of the compilation's discs.^[7]

To re-release the mixtapes' music for retail, The Weeknd had to obtain clearance from the recording artists he had originally sampled for certain songs, including Beach House for 'The Party & the After Party' and Siouxsie and the Banshees on 'House of Balloons / Glass Table Girls'; the sample of Aaliyah's 'Rock the Boat' on 'What You Need' was excluded from Trilogy.^[6]

Promotion[edit]

A video accompanying the track 'Rolling Stone' was released on 3 October 2012 to promote the album's release.^[8] The Weeknd previewed the album at a listening party in New York City on 24 October. It was his first major media event.^[9] According to music magazine NME's website, in an open letter to his fans The Weeknd posted on his website in regards to the 'Rolling Stone' video, 'Because I am a man of few words, I chose to make a viral video to show you how I felt and where I stand. I usually don't like to 'spoon feed' my audience because I grew up idolising story tellers who tell stories using symbolism, so it was in my nature to do the same. The 'Rolling Stone' video takes place in a dimly lit studio which represents the two worlds I have been stuck in. The gloomy side represents the mainstream world while the other side represents the underground. The girl holding on represents you.'^[10]

The video for his first official single from Trilogy, a revamped version of 'Wicked Games', was released just weeks later on 18 October 2012, again through his website.^[11] Chris Martins of Spin describes the video, 'The clip is almost a sequel to the similarly shot 'Rolling Stone' video, wherein a woman draped over the singer's back mysteriously disappears by the song's end. This time, the shot opens on a dancing, purse-lipped model type, but her shadow soon vamps away from her body, and torments Tesfaye until the track's end.'^[12]

The album's lead single 'Wicked Games' was released on 22 October 2012.^[13] It charted at number 43 on the Canadian Hot 100, and in the United States, it reached number 53 on the US Billboard Hot 100 and number 13 on the US Hot R&B/Hip-Hop Songs.^[14]

His fourth video release, and third to promote Trilogy, was for 'The Zone', a collaboration with fellow Toronto musician, rapper Drake. This video had been rumoured for months and was a popular track given the collaboration of OVOXO, a crew formed by Drake and The Weeknd.^[15] The video was released on 7 November 2012 and is described by music blog Pretty Much Amazing's review as having 'a lot of camera obscura effects, a forest of multicolored balloons, lens flare that would make J. J. Abrams jealous, a woman dancing in lace lingerie, and Drake. It's a fitting video – its film noir, Twin Peaks-y vibe perfectly matches the track's subtle sexy-creepy energy.'^[16]

The second single 'Twenty Eight' was released on 13 November.^[17] The Weeknd toured in support of Trilogy during September to November 2012.^[6] 'The Zone' was released as the album's third and final single three days later.^[18]

With Trilogy now on iTunes and in-stores, The Weeknd turned to his fifth official video, one of his three new releases from his debut, 'Twenty Eight'. Dropped on 13 February 2013 and directed by up-and-coming visionary Nabil Elderkin (some may notice similarities to Frank Ocean's 'Pyramids' video which he also directed).^[19] Simren Bolaria of music blog Earmilk, describes the video, 'A long way from his former faceless, anti-media Internet persona, a distracted Abel Tesfaye sits down for a grey and dreary television interview with a foreign journalist while a haunting hologram girl sits in bed watching from her own television set. He's under surveillance—the crew is watching, hologram girl is watching, and the reporter is talking at him, so he dips into mental absence. The Weeknd continues to slip back into his alternate stripper world where the lights are flashing, the strippers don't get tired, the décor is decadent, and he can do the watching himself, with a camcorder in hand, of course. The line between what's real and what's imagined is blurred, but one thing is clear—this video is definitely NSFW.'^[19]

Critical reception[edit]

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Trilogy received generally positive reviews from critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 79, based on 19 reviews.^[21] John Calvert of Fact dubbed it 'an r'n'b album with few equals in terms of narrational ambition'.^[24] Oliver Keens of Time Out wrote that The Weeknd 'communicates' his character 'so engagingly on Trilogy' and found him 'riveting when he juxtaposes debauchery with a delivery that finds him numb and on the verge of tears'.^[32] Killian Fox of The Observer felt that the mixtapes' 'production sounded great to start with' and that the 'new material is unexceptional', but ultimately stated, 'if you didn't pick up the mixtapes when they were going free, and can handle 160 minutes of beautifully crafted nihilism, this is an essential buy.'^[28] Although he found the new songs 'arbitrary in terms of sequencing', Pitchfork's Ian Cohen cited the compilation as 'some of the best music of the young decade; judging by its already pervasive influence, it's safe to say Trilogy (or at least House of Balloons) will be one of those records that will be viewed as a turning point when we look at the 2010s as a whole.'^[29]

In a mixed review, AllMusic's Andy Kellman felt that, despite moments when he is 'distinctively gripping,' The Weeknd lacks 'restraint, as he is prone to repetitious whining that is more young boy than young Keith Sweat'. Kellman wrote that 'now that he's with a label, he'll hopefully get some kind of filter that enables him to fulfill the promise heard in these 160 minutes of one-dimensional, occasionally exhilarating overindulgence ... His potential is as obvious as his lyrics are toxic.'^[22] Kevin Ritchie of Now found the music 'impressive', but found the 'lyrical ambivalence' to be 'a bit one-note' by the album's second hour.^[33] Although he found its 'excess oppressive' when listened to in its entirety, Drowned in Sound's Robert Leedlum deemed Trilogy to be 'untouchable' as a 'comprehensive document of a specific moment in time'.^[34] Paul MacInnes of The Guardian wrote that its three discs 'offer a rough trajectory of party, after-party and hangover, through which an assertive voice gives way to one that sounds more troubled', and concluded, 'Trilogy does remove some of the Weeknd's mystique – lyrical formulae become apparent, and examples of engaging melody recede as the collection advances. Whatever its limits, however, Trilogy remains a striking piece of work.'^[25]

Commercial performance[edit]

Trilogy charted at number five on the Canadian Albums Chart.^[35] In the United States, it debuted at number four on the US Billboard 200, with first-week sales of 86,000 copies.^[36] On 22 May 2013, the album was certified double platinum by Music Canada.^[37] By August 2015, the release has sold 558,000 copies in the United States.^[38] On 18 March 2019, Trilogy was certified triple platinum by the Recording Industry Association of America (RIAA).^[39]

Track listing[edit]

Credits were adapted from the album's liner notes.^[5]

Sample credits^[5]

• 'House of Balloons / Glass Table Girls' contains a sample of 'Happy House', performed by Siouxsie and the Banshees.
• 'The Party & the After Party' contains a sample of 'Master of None', performed by Beach House.
• 'Loft Music' contains a sample of 'Gila', performed by Beach House.
• 'The Knowing' contains a sample of 'Cherry Coloured Funk', performed by Cocteau Twins.
• 'Life of the Party' contains elements of 'Drugs in My Body', performed by Thieves Like Us.
• 'The Birds, Pt. 2' contains elements of 'Sandpaper Kisses', performed by Martina Topley-Bird.
• 'Montreal' contains elements of 'Laisse tomber les filles', performed by France Gall.
• 'Outside' contains elements of 'Go Outside', performed by Cults.
• 'Initiation' contains a sample of 'Patience', performed by Georgia Anne Muldrow.

Personnel[edit]

Wicked Games The Weeknd Mp3

Credits for Trilogy adapted from liner notes.^[5]

Charts[edit]

Certifications[edit]

The Weeknd Wicked Games Cover

Release history[edit]

See also[edit]

References[edit]

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1. ^Martins, Chris (12 September 2012). 'The Weeknd's PBR&B Archive 'Trilogy' Gets Official Release'. Spin. New York. Archived from the original on 13 November 2012. Retrieved 12 November 2012.
2. ^ ^abWood, Mikael (7 November 2012). 'First listen: The Weeknd's deceptively lovely new songs'. Los Angeles Times. Archived from the original on 10 November 2012. Retrieved 12 November 2012.
3. ^ ^abKellman, Andy. 'The Weeknd – Music Biography, Credits and Discography'. AllMusic. Archived from the original on 17 November 2012. Retrieved 12 November 2012.
4. ^Gill, Andy (10 November 2012). 'Album: The Weeknd, Trilogy (Universal Republic)'. The Independent. London. Archived from the original on 29 January 2013. Retrieved 12 November 2012.
5. ^ ^abcdeTrilogy (CD liner). The Weeknd. Republic Records. 2012. 19793-4.CS1 maint: others (link)
6. ^ ^abcHampp, Andrew (12 November 2012). 'The Weeknd & Reps Talk Clearing Samples, Touring For 'Trilogy' Release'. Billboard. New York. Archived from the original on 6 March 2013. Retrieved 17 November 2012.
7. ^Aspray, Benjamin (19 November 2012). 'The Weeknd: Trilogy'. PopMatters. Archived from the original on 22 November 2012. Retrieved 19 November 2012.
8. ^Alexis, Nadeska. 'The Weeknd Releases 'Rolling Stone' Video, Trilogy Cover Art'. MTV. Archived from the original on 9 October 2012. Retrieved 19 October 2012.
9. ^Krishnamurthy, Sowmya (25 October 2012). 'The Weeknd Previews Three-Disc Trilogy'. Rolling Stone. New York. Archived from the original on 28 October 2012. Retrieved 17 November 2012.
10. ^'The Weeknd unveils 'Rolling Stone' video and writes open letter to fans – watch | News'. NME. 4 October 2012. Archived from the original on 14 July 2014. Retrieved 14 June 2014.
11. ^'Watch the Weeknd's Shadowy 'Wicked Games' Video | News'. Pitchfork. 18 October 2012. Archived from the original on 28 June 2014. Retrieved 14 June 2014.
12. ^'The Weeknd Shares Haunted 'Wicked Games' Video, 'Trilogy' Track List | SPIN | Videos'. Spin. 18 October 2012. Archived from the original on 15 July 2014. Retrieved 14 June 2014.
13. ^'Wicked Games [Explicit]'. Amazon.com. Archived from the original on 14 November 2012. Retrieved 17 November 2012.
14. ^'Wicked Games – The Weeknd'. Billboard. Prometheus Global Media. Retrieved 17 November 2012.
15. ^Lewis, Brittany (25 January 2012). 'The Weeknd & Drake Shooting A Video For 'The Zone' (DETAILS)'. Global Grind. Archived from the original on 10 May 2012. Retrieved 14 June 2014.
16. ^Genevieve Oliver (8 November 2012). 'Video: The Weeknd + Drake – 'The Zone' « PMA'. Archived from the original on 14 July 2014. Retrieved 14 June 2014.
17. ^'Twenty Eight – Single'. iTunes. Apple Inc. Archived from the original on 13 November 2012. Retrieved 13 November 2012.
18. ^'The Zone (feat. Drake) – Single by The Weeknd'. iTunes Store. Apple. Archived from the original on 2 June 2014. Retrieved 22 August 2013.CS1 maint: BOT: original-url status unknown (link)
19. ^ ^abBolaria, Simren (15 February 2013). 'The Weeknd – 'Twenty-Eight' [Video] (NSFW)'. Archived from the original on 14 July 2014. Retrieved 14 June 2014.
20. ^'The Trilogy by The Weeknd reviews'. AnyDecentMusic?. Archived from the original on 7 April 2016. Retrieved 31 October 2016.
21. ^ ^ab'Reviews for Trilogy by The Weeknd'. Metacritic. Archived from the original on 19 November 2012. Retrieved 14 November 2012.
22. ^ ^abKellman, Andy. 'Trilogy – The Weeknd'. AllMusic. Archived from the original on 16 November 2012. Retrieved 14 November 2012.
23. ^Anderson, Kyle; Rahman, Ray (16 November 2012). 'Albums: Nov. 23, 2012'. Entertainment Weekly. New York. Archived from the original on 8 November 2016. Retrieved 20 November 2012.
24. ^ ^abCalvert, John (27 November 2012). 'Trilogy'. Fact. London. Archived from the original on 30 November 2012. Retrieved 28 November 2012.
25. ^ ^abMacInnes, Paul (15 November 2012). 'The Weeknd: Trilogy – review'. The Guardian. London. section G2, p. 23. Archived from the original on 30 October 2013. Retrieved 15 November 2012.
26. ^Carroll, Jim (30 November 2012). 'The Weeknd'. The Irish Times. Dublin. Archived from the original on 18 October 2016. Retrieved 30 November 2012.
27. ^'The Weeknd: Trilogy'. Mojo. London (230): 108. January 2013.
28. ^ ^abFox, Killian (10 November 2012). 'The Weeknd: Trilogy – review'. The Observer. London. The New Review section, p. 29. Archived from the original on 10 August 2014. Retrieved 12 November 2012.
29. ^ ^abCohen, Ian (13 November 2012). 'The Weeknd: The Trilogy'. Pitchfork. Archived from the original on 15 November 2012. Retrieved 13 November 2012.
30. ^Johnston, Maura (19 November 2012). 'The Trilogy'. Rolling Stone. New York. Archived from the original on 28 November 2012. Retrieved 20 November 2012.
31. ^'The Weeknd: Trilogy'. Uncut. London (188). January 2013.
32. ^Keens, Oliver (November 2012). 'The Weeknd – 'Trilogy' album review'. Time Out. London. Archived from the original on 20 November 2012. Retrieved 12 November 2012.
33. ^Ritchie, Kevin (13 November 2012). 'The Weeknd – Trilogy'. Now. Toronto. Archived from the original on 13 August 2014. Retrieved 14 November 2012.
34. ^Leedlum, Robert (14 November 2012). 'The Weeknd – Trilogy'. Drowned in Sound. Archived from the original on 18 November 2012. Retrieved 14 November 2012.
35. ^'Trilogy – The Weeknd'. Billboard. Prometheus Global Media. Archived from the original on 23 October 2013. Retrieved 23 November 2012.
36. ^Caulfield, Keith (10 October 2012). 'One Direction Tops Billboard 200 Chart, 'Twilight' Debuts at No. 3'. Billboard. Los Angeles. Archived from the original on 29 March 2013. Retrieved 21 November 2012.
37. ^ ^ab'Gold/Platinum – Music Canada'. Archived from the original on 8 April 2016. Retrieved 5 November 2015.
38. ^Wilson, Carl (27 August 2015). 'Billboard Cover: The Weeknd on Why 'Nobody Can Stop Me But Myself''. Billboard. Prometheus Global Media. Archived from the original on 29 August 2015. Retrieved 27 August 2015.
39. ^ ^ab'American album certifications – The Weeknd – Trilogy'. Recording Industry Association of America.If necessary, click Advanced, then click Format, then select Album, then click SEARCH.
40. ^'The ARIA Report: Week Commencing 19 November 2012'(PDF). Australian Recording Industry Association. Pandora Archive (1186). 19 November 2012. Retrieved 25 June 2016.
41. ^'Ultratop.be – The Weeknd – Trilogy' (in Dutch). Hung Medien. Retrieved 9 September 2018.
42. ^'The Weeknd Chart History (Canadian Albums)'. Billboard. Retrieved 9 September 2018.
43. ^'Danishcharts.dk – The Weeknd – Trilogy'. Hung Medien. Retrieved 9 September 2018.
44. ^'Dutchcharts.nl – The Weeknd – Trilogy' (in Dutch). Hung Medien. Retrieved 9 September 2018.
45. ^'Lescharts.com – The Weeknd – Trilogy'. Hung Medien. Retrieved 9 September 2018.
46. ^'Offiziellecharts.de – The Weeknd – Trilogy' (in German). GfK Entertainment Charts. Retrieved 9 September 2018.
47. ^'Swisscharts.com – The Weeknd – Trilogy'. Hung Medien. Retrieved 9 September 2018.
48. ^'Official Albums Chart Top 100'. Official Charts Company. Retrieved 9 September 2018.
49. ^'The Weeknd Chart History (Billboard 200)'. Billboard. Retrieved 9 September 2018.
50. ^'The Weeknd Chart History (Top R&B/Hip-Hop Albums)'. Billboard. Retrieved 9 September 2018.
51. ^'2013 Year-End Charts – Billboard 200 Albums'. Billboard. Prometheus Global Media. Archived from the original on 12 December 2014. Retrieved 16 December 2013.
52. ^'2013 Year-End Charts – Billboard R&B/Hip-Hop Albums'. Billboard. Prometheus Global Media. Archived from the original on 7 July 2014. Retrieved 13 December 2013.
53. ^'2013 Year-End Charts – Billboard R&B Albums'. Billboard. Prometheus Global Media. Archived from the original on 24 December 2013. Retrieved 16 December 2013.
54. ^'British album certifications – The Weeknd – Trilogy'. British Phonographic Industry. Retrieved 28 January 2017.Select albums in the Format field.Select Gold in the Certification field.Type Trilogy in the 'Search BPI Awards' field and then press Enter.
55. ^'Buy Trilogy Weeknd, Alternative, CD'. Sanity. Archived from the original on 31 March 2014. Retrieved 17 November 2012.
56. ^'Weeknd,The – Trilogy – CD'. Musicline.de (in German). PHONONET GmbH. Archived from the original on 10 August 2014. Retrieved 17 November 2012.
57. ^'Weeknd: Trilogy: 3cd (2012): CD'. HMV. Archived from the original on 9 October 2015. Retrieved 12 November 2012.
58. ^'Trilogy (Explicit Version) (2012)'. 7digital. Archived from the original on 20 November 2012. Retrieved 12 November 2012.
59. ^'Trilogy : 3cd by Weeknd'. Hmv.ca. Archived from the original on 4 March 2016. Retrieved 12 November 2012.
60. ^'Trilogy (Explicit Version) by The Weeknd'. iTunes. Apple Inc.Archived from the original on 19 August 2014. Retrieved 12 November 2012.
61. ^'Trilogy (Explicit): The Weeknd'. Amazon.com. Archived from the original on 11 November 2012. Retrieved 12 November 2012.

External links[edit]

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• 'Trilogy'. AnyDecentMusic?.
• Trilogy at Discogs (list of releases)

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